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For Isa and Davie Reid, life as immigrants is simultaneously
full of excitement and disappointment. On the long journey from her home
in the northern isles of Scotland, she meets up with Sarah, a young girl from
the Irish community in Liverpool. Sarah has been sent to Canada to marry a man
twice her age whom she has never met. Through the years, both Sarah and Isa
grow into strong independent women.
The struggle to build a better life in this new, often harsh
land is intercepted and exacerbated by the great war, which brings tragedy to
some, yet gives Sarah the means of escape from what she sees as the nothingness
of her existence.
Left alone during the war years, Isa is faced with extra trials
that she could have never foreseen. Tragedy of the past and challenges of the
present threaten to overwhelm her, yet
she confronts every setback with her normal strength of spirit and
unending optimism. And then she receives a letter ......
Wee taster;
Wee taster;
Sarah
Sarah
watched the trap pull away, then looked round the flat miles of grassland
verged with thick forests and blue hills, or was it clouds, in the distance.
The family was nice, except the man who came to fetch them. He scared her with
his black eyes and dark skin. She wanted to stay with Isa, move on with her to
whatever comfortable home she would find that night.
She
turned slowly to study the shack. Behind it, pine trees reached into the sky.
Sarah shuddered, imagining all sorts of wild animals watching her from the
depths.
The
blank window stared. The dog ceased his barking and now whined, his ears flat. Kneeling
down, Sarah held out her hand, allowing the animal to sniff her fingers and
when he wagged his tail she fondled his ears. She had always wanted a pet of
her own. Suddenly from somewhere nearby, came a deep baritone voice singing a
song she knew, a song she often heard her father deliver while the worse of
drink. This voice, however, was note perfect.
Oh Danny Boy, the pipes, the pipes are
calling,
From glen to glen, and down the mountain
side.
The
voice grew in volume and the strains drifted into the still evening. Sarah straightened
up and at that moment the low sun caught the glass of the remaining window and
turned the panes to fire; a rare streak of beauty amidst the depressed
surroundings.
Oh Danny Boy, oh Danny Boy, I love you so.
She
picked her way up the path between weeds, broken glass and lumps of wood. A
pile of green logs and an axe lay against the wall. At the door she stopped,
fear of what might be inside preventing her from raising her hand to knock.
Then she noticed it was slightly ajar. She pushed at it with her fingertips
and, with a slight groan, it swung open. Before her, on a wooden armchair, sat
a man with his head drooping forward, black, curly hair hiding his face, broad
shoulders, thick arms bent at the elbows and big hands dangling between his
knees.
He
began to sing again, this time the chords muffled and the voice blurred.
Oh Danny, Oh Danny...
Sarah's
bag hit the floor. The man lifted his head. A big, unclean man with a ruddy
complexion. His hands shot to the arms of his chair and he pushed himself to
his feet. 'By Jaysus, where'd you fall from, girl? Ye made my heart jump like a
grasshopper on heat, so ye did.'
Sarah
swallowed. 'Are... are you Patrick O'Brien?'
'That I
am. How... how'd you get here?' He glanced at the clock. 'Holy Mother o' God,
will you look at the time.'
Rays of
low sunlight fell across his unshaven face; a broad face, coarse, heavy
eyebrows, dark, slitted eyes with deep crinkles running from the corners. His
nose had been broken at one time. Below the full lips jutted a deeply-clefted
chin and a thick, short neck. The room stank of stale whisky and neglect.
Sparse furniture, crude home-made efforts, littered the space as if tossed in
by a careless hand.
'A
family going west gave me a ride.' It was cold in here, so cold that she could
see her breath.
Paddy
O'Brien ran his hand over his head. 'Ah, ma coleen, I should have come to meet
ye.' He crossed to the table, picked up a lantern and raised the globe. 'We'll
get a light and a fire going.' He lumbered around, scratching matches which
burned his nicotine-stained fingers and fell to the ground before they reached
the wick.
'Let
me.' Sarah took the matches from his hand, lit the wick, shook the match to
extinguish the flame and replaced the globe.
'Ach −
ah. It's a fine girl ye are. Now the stove. I meant to have it all right and
proper for ye, so I did.' He dropped to his knees before the pot-bellied range.
This time he managed. The flames caught on the scrunched paper and licked up
and around the logs.
Paddy
stood up, swayed and wiped his hands on his trouser leg. Bloodshot eyes
travelled from Sarah's face to her feet and back again making her skin prickle.
'Ye're
not like I expected, no not at all. Ye look more like a girl from a convent
than one from the streets.' He turned away. 'Ye'll be wanting a bite to eat.'
'Ye...s,
please.' Her words sounded thin and dry. She couldn't remember when she last
ate or drank anything. Even her stomach cramps had deserted her. 'Could ...
could I have a drink of water?'
'Ye can
that, ye can that.' Paddy pulled the lid off a wooden bucket and the cover fell
from his hands and rattled on the floor. He took a tin mug from the dresser and
filled it from the pail. The water splashed over the side as he as thrust it at
her. Sarah grabbed it in both hands and swallowed the water in gulps.
'Sit
yourself down. Down here.' He pulled out a chair and wiped the seat with the
flat of his hand and then his elbow.
Sarah
stepped forward, lowered herself onto the seat and fought to remain upright;
the legs were of different lengths.
Paddy
placed a plate of thickly-cut bread and a slice of cheese before her, then took
a seat opposite. 'Made them earlier. Since my wife died ain't had a home cooked
meal. But things'll be different now, eh?''
The
bread was curling at the edges, but to Sarah it was manna.
The
hound in the yard howled.
'Best
let Ned in.' Paddy made an unsteady exit and returned with the dog. It bounded
in, sniffed at Sarah's hands, jumped up, placed his front paws on her knees and
began licking her face.
'Settle
down, boy,' said Paddy in a rough voice. The hound dropped and slunk to the
corner.
'I...I
don't mind. I like dogs.' Sarah already missed the warmth of the welcome.
'Can't
have that, no, can't have that.' Paddy shook his head. 'Got to keep them in
their place, dogs and women, eh?' He gave a laugh.
Sarah
wasn't sure if she was supposed to respond, so she forced a smile. Exhaustion
hit her like a sledgehammer and she swayed where she sat. Longing for sleep,
she glanced at the back wall where a bench covered with several animal skins
stood. What would be expected of her this night, she wondered, shuddering at
the thought of being touched by this great brute of a man, by any man for that
matter. The heat from the range warmed her body, her head fell forward and she
fought to keep her eyes open.
Paddy's
words continued filling the room with meaningless chatter. She was aware of the
glug of liquid being poured into a container and of Paddy's voice as if from
far away, now singing a song about going 'off
to Dublin in the green' as the room swam and sleep overtook her.
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