Blog Archive

Thursday 3 November 2016

Book Four in the Raumsey Saga





The Great War is over, and the inhabitants of Raumsey Island struggle to regain their livelihood. Seventeen-year-old Annie Reid is a spirited, ambitious girl, determined not to end up a herring gutter or go into service.
Annie befriends a young schoolteacher, Alexander Garcia, who promises to help her further her education but, after tragedy strikes, Annie pursues a nursing career amidst the political complexity of Glasgow. Garcia dreams of a return to his Spanish roots, but Spain is also in political turmoil.

Annie’s love for the teacher remains through the years, but will love overcome the barriers and prejudice of race, religion, beliefs and distance?




With her husband killed in the war, Isa has returned to her island home. The fourth book in the Raumsey sagas is about her rebellious daughter, Annie.
Isa's Daughter is already well reviewed and climbing the charts.


Saturday 30 July 2016

 Welcome to my blog interview.
I am pleased to introduce Matthew Drzymala.

Hello Matthew. Tell us a bit about yourself.
Hey. Me… hmmm, well I’m 34 years old and I’m originally from Manchester, UK but now live in Liverpool.  I work in Payroll, which isn’t terribly exciting compared to writing. I’m not terribly good with figures, I much prefer words.

What bought you to the world of writing?              
NaNoWriMo, really. Two of my friends took part in it in 2010 and I thought it sounded really interesting, so I took part in 2011 and it’s gone on from there, really. I was bitten by the bug and I haven’t stopped since. I went on to do a creative writing course in 2013-14 as I wanted to take it seriously. It was a brilliant experience, and I learn a lot because of it.

What is your first book and what do you think of it now?
Last Christmas and Bittersweet were released at the same time. Technically Bittersweet was the first book I wrote, which I think still stands up. Last Christmas was written in a week as a Christmas tie-in. That one doesn’t have loads of story and it is the one story I wish I could maybe add more meat too, but it was a nice, little story an it’s not bad. I think if I wrote it now more would happen, but you learn as you go along.

What type of books do you write and do they fulfil your reader’s needs?
I write humour, mostly and I think so, yes. They are quite gentle stories, but I try and pack a range of emotions in. I’ll always throw in a bit of pathos and not every character has a happy ending. Although they’re set in a fictional village I try and make the emotion real.
Most of the feedback I’ve had is positive. People seem to like the cosiness in the stories. They can be silly at times and some characters are completely crazy, but there are characters who are quite down to earth to, so there’s something for everybody in them.

Would you like to feature a book, if so which one?  Tell us about it?
My collection, The Bumpkinton Tales: Volume One, has all of my Bumpkinton stories so far. It includes Last Christmas, Bittersweet, The Bachelor, Albert’s Christmas, and the exclusive bonus short story, The Family Jewels.
I felt I was missing out on paperback readers and the book is something I’m extremely proud of. It puts all of Bumpkinton together in one place and you can get a real sense of the stories taking place within the same 12 months and how parts of a previous story affect a later one.

How long does it take you to write your first draft?
Short stories, I would say about 4-6 weeks. However, I am writing my first novel and draft one took about 9 months. I’m now on draft 3 and it still needs a lot of work, but I’m enjoying it!

Do you plot or not, if so why?
Not massively, no. I know, I know I’m bad for not doing it. I tend to come up with an idea and always seem to know how it ends and the rest I just write as I go along. Now and again I’ll plot a little bit, knowing I need to make certain things happen at a certain point, but more often than not I just have a vague idea and an ending and just write.

Do you write in 1st or 3rd person, or have you do both?
I’ve done both, but I prefer 3rd person, definitely.

How do you edit your work?  Do you leave your draft alone for a while or edit as you write?
I tend to edit once I’ve finished, unless it’s something glaringly troubling that’s changed, then I may go back and edit as I go, but I tend not to do that very much. I much prefer to get it written, then get it right.

What type of people/readers do you market your books to?
Anybody really. My books are accessible to all. They’re perfect to relax to. They’re happy or sad and if you’ve finished a heavy book, they’re just right to relax your brain before starting another heavy book.
I also want to make people laugh and I want everybody to see that humour has a big part to play in the world. We all need to laugh sometimes as life is too serious these days.

Do you self-publish or have you worked with an Agent/Publisher
I self-publish. I did find a small publisher from my short story, Brainstorm, but they went under a few weeks after, which was a bit gutting, so I self-published that story a few weeks later.

How do you promote your writing?
Any way I can. I post everywhere I can online, Facebook, Twitter, Forums and interviews such as this one J I also have fliers so I hand them in to cafes etc locally. I recently appeared on a local radio station promoting my book and I will be on a local TV station in September.
The release of my paperback has spurred me on to get my work out there wherever I can, even signing up to signing events that span over three years. I’m doing my first talk in a school in September too, so I’m putting my face everywhere and seeing where it takes me!

Where can we buy your books?
My books are available online at Amazon, Waterstones, Barnes & Noble, Kobo and Smashwords.
If anybody reading this lives in Liverpool in the UK, they are also available from Write Blend in Waterloo, Pritchards in Crosby and News from Nowhere in the City Centre. I’ve applied for it to go into Libraries across the country and it’s also being considered for stock in Waterstones’ stores nationwide, but I haven’t had confirmation on that yet.

Who are your favourite authors?
I would say Terry Pratchett, I just love his Discworld stories and I’m not ashamed to say I love JK Rowling’s Harry Potter series. I don’t get to read as much as I’d like as I find it difficult to read books when I’m writing and I’m writing a lot lately.
I read Thrillers more than anything, so Jo Nesbo is up there for me, especially his Harry Hole series.

What other hobbies do you have?
I wish I had other hobbies. I like to watch TV shows and movies, but I don’t do a lot of things outside. I really should shouldn’t I? That’s terrible!
I run a writing group once a month at the local Library called The Laid-back Writers Group, which has been fun to do. I’ve met so many talented writers. I’ve been slack with the homework the last few months, but that’s mostly due to me writing my novel and getting my new paperback released and promoted. It’s cut into a lot of my time and I haven’t been able to do as much as I’d like.

Do you have any more information you’d like to share?

Links.



Friday 22 July 2016

A short, simple journey.



On a recent journey to Aberdeen, I once more discover that getting from A to B in the Highlands of Scotland is not necessarily straightforward. Since my late husband  would not allow me to drive outwith my home county, I have not built up a great deal of confidence behind the wheel and, given the cost of petrol versus my free bus pass, the most sensible decision seems to be, bus to Inverness. Once there though, we have to think again. The bus between Inverness and Aberdeen meanders around every village and takes more than four hours. The train. on the other hand, takes two hours and gives one the opportunity of a cup of tea, or a  cheeky glass of wine.

My companion and I decide that the train is the best option. We walk the short distance from the bus station to the railway station, dragging weighty luggage, just to be told that the trains are on strike today. Hmm.

We decide to take the 2.30 bus to Aberdeen which gives us time to grab a bite to eat before boarding. So, dragging our cases, we walk up to the Eastgate Shopping centre and stop at Starbuck's cafe for a much-needed cup of coffee.

The queue is moving slowly. Nearly there. Money clutched in my hand. At last. The waitress tilts her chin at me. I open my mouth to order. There is an almighty flash behind the counter, all the lights go out, a pillar of smoke rises in the air.  'Everyone out,' she screams.

A siren screeches and through a tannoy, a female voice shouts instructions of which I can't make out a word. We stream from the building.

Not just Starbucks, but the whole shopping mall is evacuated. No one knows what's happening, so there is a general rushing to be on the outside.

We burst into the outside into a sun-filled city street with buskers and shoppers and curious bystanders.  There is no real reason for panic, just an electrical fault and the sirens of emergency services competing with those sirens still emitting their warning from inside the centre.

How lucky we are to not yet be touched by the hand of the horror facing the rest of Europe.
So back to the bus station and a coffee in Asher's cafe.

Now it is time to board the bus. For some reason, the machine won't read my companion's bus pass. After a few more moments of panic, the machine finally decides to do its duty, and we are off.

A couple of hours into the journey the bus stops. I am engrossed in my book, so don't really notice anything other than that we seem to be waiting a very long time before taking off again.

My attention is alerted by the driver making an announcement. 'I'm sorry about this delay, but we're waiting for the police. There's been an incident. they shouldn't be long.'

What?

No one seems to know what the 'incident' is. After half an hour, some of us go outside to stretch our legs. Eventually, the police do arrive, but we're not really privy to what's going on. they do come and ask me if I saw anything, but I had my nose buried in a book.

It seemed a man had snatched a ladies purse as he walked by her seat. When he realised he had been spotted, he threw the purse over a wall. However, the police found the purse, and he was finally arrested.

Off we go once more, an hour late.

What more can happen you might ask? When I went to read my book that night, I discovered that I had left my glasses on the bus.

Tuesday 28 June 2016

Interview with Anna Farsham







 Welcome to my blog interview.
I am pleased to introduce the beautiful
Anna Faversham

Hello  (name). Tell us a bit about yourself.

I’ve lived most of my life in Kent, England, although I spent some time in New Zealand and Zambia.
New Zealand is memorable not only for the outstanding scenery but also for the exceptional people I met there who taught me so much about hospitality and self-sufficiency. This came in handy for when I moved to Africa and found that if I didn’t grow the food myself, there wasn’t much to eat.
Life in Africa has made me appreciate so much here in England and I take nothing for granted any more. I also find I can exist very cheaply!

What brought you to the world of writing?

As a child, I always enjoyed writing school essays, and at one point I asked my scary teacher if I could start a class magazine. So writing for others began when I was quite young.
Then when I was in Africa, I started writing a few bed-time stories for my children.
Back home in England, the priorities of family, mortgage and job took over so nothing much happened for some years until the stories going on in my head erupted onto the screen.

What is your first book and what do you think of it now?

The first book I wrote was the second book I published – One Dark Night. I still love the story and the characters have become almost real and they are alive and kicking in a sequel.
I often base characters on interesting or quirky people I have met or even just observed. It’s as if they are the coat hangers and then I dress them up in clothes. Sounds terrible, doesn’t it?

What type of books do you write and do they fulfil your reader’s needs?

Oh what an interesting question! I have not thought of my books as fulfilling my reader's needs. I shall remember that in future. Thank you. The first book I published was ‘Hide in Time’, a time travel romance with a spot of mystery thrown in. I’d only ever read one time travel book before and that was dear old H.G. Wells’s ‘The Time Machine’. This probably accounts for why reviewers say it is ‘unusual…but worth it’ and some have been kind enough to say it is wonderful to have a break from the usual formulaic books.
The second book and its forthcoming sequel are classified as historical romance/romantic suspense/action and adventure – all of those genres are covered. I grew up by the sea and once visited some smugglers’ caves and my muse went into overdrive. I was only a teenager but my head was full of possibilities of what used to happen in those caves. Years later my husband told me of his distant ancestor, a notorious smuggler. For some time we treated it as family folklore, probably unlikely to be true, but one day I came across a book which mentioned this ancestor and it’s all true. And worse!
Do they fulfil my reader’s needs? I hope so. I try always to have a theme running through the books that might be something the reader finds useful or interesting to toss around and take away with them.
Hide in Time’s theme is: ‘They say it’s not the things you’ve done that you regret most but the things you’ve left undone.’ It came about when my eldest brother died young and I regretted not being able to help him through some difficult times.
One Dark Night’s theme is: ‘We owe so much to those who hurt us’ which is a quotation by Dorothy Kerin. Difficult, eh? But the more I thought about it, the more I realized it was true in my own life and so I hope that others will find that much good can come out of hard times.
Under a Dark Star’s theme is: ‘All that it takes for evil to flourish is for good men to do nothing.’ It’s a paraphrase of a quotation sometimes attributed to Edmund Burke who was a Member of Parliament in the eighteenth century.

Would you like to feature a book, if so which one?  Tell us about it?

I’d like to feature ‘Under a Dark Star’ which will be released late summer 2016.
It is a sequel to the story of Lucy’s struggles to make a good life for herself and the book starts with her comfortably off with interesting projects to manage and a much loved husband and baby. Readers probably know from their own experience that comfortable times of happiness rarely last long before something or somebody interrupts the peace.
Soon she finds herself on a long and difficult journey to the diamond isle, ‘The Isle of Wight’, off the south coast of England. The reason? Her husband and his friend are going to tackle the wreckers who lure ships onto the rocks in order to plunder their cargo.
Much of the story is told from her husband Daniel’s point of view as he goes under cover pretending to be keen to join in. What he discovers leads to his almost certain death.
Once again, this is not a formulaic romance. It is designed for those who want something different. Action and adventure, mystery and suspense – it suits both men and women who enjoy strong characters and historical action incorporating facts.
I haven’t mentioned this anywhere before, so Catherine’s blog has a scoop ;o). Four of the supporting characters’ names are those of people who worked at Bletchley Park in the Second World War cracking codes in enemy communications. They helped win the war but never became famous like other heroes because they were sworn to secrecy. This is my way of thanking them and ensuring their names are not forgotten. If you read the book you might like to see if you can spot them.

How long does it take you to write your first draft?

I don’t write full time so I try to ring-fence 15 hours a week, sometimes I can’t manage even that. Under a Dark Star has taken me about eighteen months to come up with a first draft. 

Do you plot or not, if so why?

I plot the opening and I know roughly what the ending will be then the characters take me on a roller coaster ride with me frantically recording their adventures. Then I steer them towards their fate at the end.

Do you write in 1st or 3rd person, or have you done both?

I’ve only written one short story in first person (I became an ex soldier), everything else has been in third person.

How do you edit your work?  Do you leave your draft alone for a while or edit as you write?

I edit as I go along and then when I have the first draft, I edit again. I leave it for a while then edit again.

What type of people/readers do you market your books to?

I learnt almost in the first week that once it’s on Amazon I had no control over who would buy the book. I was amazed to be selling more in the USA than in the UK. I’m very pleased to say that men seem to enjoy them as much or more than women. I intended them for the twenty-five years and upwards market.

Do you self-publish or have you worked with an Agent/Publisher

I have a good writing friend and we discussed this when we were both writing our first books and we decided that ebooks and self-publishing were the way forward. I wouldn’t want an Agent and a Publisher because I’d have to write to a timetable and it would become a chore.

How do you promote your writing?
 
Mostly through Kindle Countdown Deals. 

Where can we buy your books?

On Amazon as ebooks.

Who are your favourite authors?

Charles Dickens – I love the characters he created. Jane Austen and the Bronte sisters, of course. I like some of Lynn Truss’s books and Alexander McCall Smith’s. I could give you a long list, but I’ll stop there!

Links.


 Thank you very much for your interesting interview, Anna.




Sunday 26 June 2016

Taster for my first attempt into psychological thillers

Working title; The girl in the Mist

 

Chapter one


I stare out of the window. The view is as beautiful as Bill said it would be when he wheeled me into the light. The sky is blue, with a strangely shaped cloud hiding the sun. A cloud that looks like the devil.

From here I can see other houses, dotted along the hillside, white, modern, unlike this one which has survived many generations.  The families in these houses go out in the morning. Some take their children with satchels in their hands. Most don’t return till evening.
Maeve and Alasdair don’t leave the vicinity, though. They are retired and live in the next house along. I know because they arrived on our doorstep no sooner than we had unpacked. 

‘We came to welcome you,’ said Maeve. ‘I knew you’d be tired after travelling, so I thought you might like to share our dinner. I always make plenty.’ Short and stout with wavy white hair and soft looking skin like a powdery marshmallow, she held out a casserole dish covered with a red and white checked tea cloth. 

Alasdair, taller. thinner, wispy-haired with a small moustache and glasses, clutched two bottles of wine, one in either hand, white and red.

Bill hesitated. We had planned a quiet night, just the two of us, but then he asked them in. Bill would. He would consider it rude not to.
‘I hope you like wine,’ said Alasdair.  His incredibly perfect teeth looked too big for his mouth and they clicked when he spoke.

‘This is my wife, Sally.’ Bill turned to me. ‘Look, love, I don’t need to cook after all.’

‘Thank you.’ I forced a smile. 

Maeve’s beady eyes took in the wheel chair, the rug covering my legs. ‘Accident,’ I said.

‘Oh, I’m sorry.’ she looked away quickly. 

Bill removed the lid of the casserole. ‘Have you eaten?’ He looked at our guests. ‘Seems like there’s a lot of food here.’

‘I have more at home. I always make a full pot and freeze some, don’t I, Alasdair?’

But neither she nor Alasdair moved. 

‘Then maybe you’d like to join us.’ Bill avoided my eyes which were pleading with him to shut up.

‘Oh, you don’t mind? We don’t want to be a bother. We would never be that, would we, Alasdair?’ Her soft white face lit up.

‘It’s no bother,’ said Bill, setting the casserole dish to one side and taking the bottles from somewhat reluctant hands. I guessed this wasn’t Alasdair's idea at all.

‘Were you badly hurt in the… accident?’ Maeve leant over and patted my shoulder.

‘She doesn’t like to talk about it.’ Bill spoke sternly, disapproving eyes meeting mine.

‘I’ll tell you sometime,’ I said, enjoying Bill’s discomfort.

By the end of the meal I knew all about everyone who lived in each of the houses nearby. ‘There’s the Simpson’s,’ Maeve’s voice was almost a whisper. ‘Fiona and Ian. The big bungalow nearest ours. Two kids. Boys, eleven and twelve. Right little hooligans. Cheeky too. Aren’t they, Alasdair?’

‘I think they’re likeable enough, but yes, maybe a bit cheeky.’

 ‘The parents both work. She’s an estate agent and he’s a solicitor. Her mother lives in the next house along, the little cottage. She watches the kids after school and in the holidays.’ She chewed in silence for a minute. ‘The house below them, Maggie and Donald Pottinger. They’ve been here since they married, twenty-seven years ago. Three teenage kids. The oldest is in university, the second has a child of her own and she doesn’t work. The youngest, a lad, he’s about sixteen. There’s something not quite right about him.’ She tapped the side of her head with her forefinger.  ‘Know what I mean? Then there’s that hippy chap from the cottage nearest the shore. He’s an artist or something. Has a boat. Long hair. Where did you say you came from?’

‘London.’ Bill answered filling everyone’s glass with the last of the red. ‘I must say, this is amazingly good stew.’

‘And what do you do?’ Maeve drained her glass and stared at the empty bottle.

‘I’m a headmaster of a primary school. We grew tired of the city. I’ll be starting a new job in Inverness next term.’

‘We’ve been here for two years now. Great place to retire to. Isn’t it, Alasdair? But the locals, they are a bit nosey.’ Her eyes fell on me. ‘And what did you do dear, I mean, before…’ She glanced at my legs. 

‘A pole dancer. I fell from the top of the pole. Cracked my spine on the edge of the platform.’ 

Her face grew pink. ‘Oh.’

They didn’t stay long after that. Bill saw them to the door and returned shaking his head. ‘A pole dancer? Why do you do that?’

‘Would you rather I told them the truth? Anyway, she was doing my head in with her personal questions.’

‘They meant well, and the food and wine were good.’

I laughed. ‘You just couldn’t be bothered to cook.’ 

‘You do realise the whole neighbourhood will believe you were a pole dancer by tomorrow?’

‘Who cares? If anyone else asks, I’ll say I was a stripper. I don’t think she was stupid enough to believe me anyway.’

‘It was as good as saying ‘mind your own business.’ Not very neighbourly, Sally.’

I rubbed my head. ‘I want to go to bed, now.’

That was two days ago. I’ve seen Maeve scurrying around her house, throwing occasional glances towards my window, but she has not returned. I’m glad of that. I came here for peace, not to make friends.

Summoning all my courage, I wheel my chair to the door and out into the pale sunshine. I can do this. 

Two boys are flying a remote controlled plane. It buzzes round my house then heads straight towards me turning up at the last minute and crashing into the wall above. They both run in my direction.
‘Sorry Missus,’ stammers the oldest. ‘We just got it. My little brother hasn’t got the hang of it yet.’

I assumed this was Fiona and Ian’s boys. The hooligans. ‘What’s your names?’ I ask as the elder retrieves the plane and inspects it for damage.

‘Stuart,’ says the younger staring at my legs. Without moving his eyes, he continues. ‘He’s called William. Why are you in a wheelchair? Did you fall off a pole?’

‘You don’t ask things like that. It’s rude,’ snapped William, his face growing pink.

I shake my head. ‘I’ll tell you, but it’s a secret.’ I beckon the boys closer and lean forward. ‘Promise you won’t say anything.’

Their eyes are open wide, they both cross their hearts and whisper ‘promise,’ in unison.

‘I’m a secret agent. I uncovered a plot to take over the British government, but I was shot while I was phoning for back up.’

Now the mouths were as round as the eyes. ‘Who…what…?’ begins William. 

I hold up my hand. ‘I’ve said too much already.’

They look at each other. ‘We’ll never tell anyone, honest missus,’ declares Stuart. At that moment, Bill’s car drives up. ‘Is he a secret agent too?’

I shake my head. ‘He’s part of the plot. I’ve got him under surveillance.’ 

‘Thanks for letting us get our plane back,’ says William, grabs his brother’s arm  and they turn and run down the hill towards their own house.

‘What have you been telling them?’ askes Bill. ‘That I’m the bogey-man?’

‘Just that I’m a secret agent and you’re one of the bad guys.’

Bill rolls his eyes. ‘Come on’, he says, ‘I’ve got lunch,’ and he wheels me indoors.